Frame
Top Mat
Bottom Mat
Dimensions
Image:
8.00" x 5.50"
Overall:
10.00" x 7.50"
Blizzard Noir, Vintage NYC Flatiron Building in 1920 Art Print
by Carol Whaley Addassi and Generative AI Technology
Product Details
Blizzard Noir, Vintage NYC Flatiron Building in 1920 art print by Carol Whaley Addassi and Generative AI Technology. Our art prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.
Design Details
Step into a new creative chapter with Blizzard Noir, an enchanting artwork that transports you to 1920 New York City in my first-ever public sharing... more
Ships Within
3 - 4 business days
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Artist's Description
Step into a new creative chapter with "Blizzard Noir," an enchanting artwork that transports you to 1920 New York City in my first-ever public sharing of generative AI art. Through a fascinating collaboration of human artistry and generative AI technology, this captivating scene emerges, showcasing the iconic Flatiron Building amidst a relentless blizzard at dusky dark.
The History of the Flatiron Building:
A symbol of architectural innovation and the Gilded Age, the Flatiron Building, officially known as the Fuller Building, stands as a testament to New York City's timeless allure. Completed in 1902, this iconic triangular structure with its distinctive Beaux-Arts facade has graced the cityscape for over a century. Designed by architect Daniel Burnham, the building's unconventional shape captured the imagination of New Yorkers, earning it a place in the city's heart.
Drawing from my expertise in photography and passion for vintage aesthetics, I provided specific text...
About Carol Whaley Addassi and Generative AI Technology
Exploring the relationship between seeing, perception, memory, feelings, and thoughts through pictures has been my enduring fascination. Mastering manual photographic techniques using a variety of cameras from 35mm to 4x5, and experimenting with shooting out-of-date film and cross-processing film, naturally evolved into digitally creating photomontages--endless imaginary worlds drawn from the tapestry of everyday reality. In addition to being a freelance photographer for various publications, I was a photo editor at The New York Times for ten years and a gallery photo editor at the Daily News in New York. Visual storytelling, connecting ideas, events, and experiences, has been a lifelong adventure. Thank you for taking the time to look...
$90.00
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